• Work
  • _Dancing Grains II
  • _Glyptotek
  • _Model 1636814 for a Portrait
  • _Before and After the National Archive
  • _Portraits of Aunt Gininha
  • _You see as you move and you move as you see
  • _Dancing grains
  • _Shades
  • _The singer
  • _At least two times darker
  • _You see as you move and you move as you see II
  • _Three hundred and sixty-five times folded
  • _(...) the whole is rather blurred
  • _Dressing room
  • _Nearly midnight
  • _See no evil, hear no evil, speak no evil
  • _To blow
  • _Between February and March
  • _Untitled
  • _Double Screen
  • _Interruptores
  • _The Sky Is for Everyone
Writing
Statement
Bio
Contact
joana maria pereira
  • Work
  • _Dancing Grains II
  • _Glyptotek
  • _Model 1636814 for a Portrait
  • _Before and After the National Archive
  • _Portraits of Aunt Gininha
  • _You see as you move and you move as you see
  • _Dancing grains
  • _Shades
  • _The singer
  • _At least two times darker
  • _You see as you move and you move as you see II
  • _Three hundred and sixty-five times folded
  • _(...) the whole is rather blurred
  • _Dressing room
  • _Nearly midnight
  • _See no evil, hear no evil, speak no evil
  • _To blow
  • _Between February and March
  • _Untitled
  • _Double Screen
  • _Interruptores
  • _The Sky Is for Everyone
Writing
Statement
Bio
Contact

Before and After the National Archive, 2019
MDF studio wall piece, paper, staples 
22 x 22 cm

Before and After the National Archive consists of a fragment of my studio wall that was exhibited at the Royal College of Art Research Show ‘There’s Something Lurking in the Shadows’ at the RCA’s Dyson Gallery, London, in 2019.
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