• Work
  • _Dancing Grains II
  • _Glyptotek
  • _Model 1636814 for a Portrait
  • _Before and After the National Archive
  • _Portraits of Aunt Gininha
  • _You see as you move and you move as you see
  • _Dancing grains
  • _Shades
  • _The singer
  • _At least two times darker
  • _You see as you move and you move as you see II
  • _Three hundred and sixty-five times folded
  • _(...) the whole is rather blurred
  • _Dressing room
  • _Nearly midnight
  • _See no evil, hear no evil, speak no evil
  • _To blow
  • _Between February and March
  • _Untitled
  • _Double Screen
  • _Interruptores
  • _The Sky Is for Everyone
Writing
Statement
Bio
Contact
joana maria pereira
  • Work
  • _Dancing Grains II
  • _Glyptotek
  • _Model 1636814 for a Portrait
  • _Before and After the National Archive
  • _Portraits of Aunt Gininha
  • _You see as you move and you move as you see
  • _Dancing grains
  • _Shades
  • _The singer
  • _At least two times darker
  • _You see as you move and you move as you see II
  • _Three hundred and sixty-five times folded
  • _(...) the whole is rather blurred
  • _Dressing room
  • _Nearly midnight
  • _See no evil, hear no evil, speak no evil
  • _To blow
  • _Between February and March
  • _Untitled
  • _Double Screen
  • _Interruptores
  • _The Sky Is for Everyone
Writing
Statement
Bio
Contact

Portraits of Aunt Gininha, 2019
Stone lithography on office paper documents, carbon paper, cheque, clip, found letter and glass, wood structure
9 x 61 x 139 cm 


Portraits of Aunt Gininha is a mobile floor piece developed for ‘Specularis: Look Through’, a group exhibition that took place at the Alberto Sampaio Museum in Guimarães, Portugal.
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